Saturday, April 30, 2011

The Power of Goodbye (III)

Brian called from Shanghai and asked if I had time.

'For you I always have time,' I said.

A few days later Brian hopped on an overnight train and came into town with a backpack. By the time we met in the evening, I had been up for 30 hours from work, procrastination, my mental clock ticking too fast or too slow through my thoughts. I had my glasses with grey lens on and wet hair. My hair is almost down to my waist now that I have not had it cut in a year, from around the time Brian and I first met at a sidewalk cafe. Blue lights and an old trumpet on the table.

Brian flung his arms around me at a bus stop in my neighborhood. 'How's it going?'

I shook my head.

We walked along the streets that suddenly seemed empty.

***

Last year Brian was in HK for a while for work--he is an artist and designer from Australia. We spent our days listening to music in his home, where he showed me his sketches and paintings and rare, pirated DVDS he collected in HK and China. Brian has this nervous habit of spreading his artworks all over the table so he can move them, half an inch at a time, to their rightful places and relations with one another as if they were a deck of fortune telling cards. The predictions are always of fright, of abrupt endings--Brian is colorblind and uses conflicting, overtly bright colors.

I gave him a blank stare sometimes when he turned to me, seeking an answer, his sketches and paintings hovering in the air like ghosts.

'You're so honest,' he said. 'Most people try to hide it when they don't like my work.'

I could not help it--when Brian sees a door opening in music, in hope, in love, I see death.

***

On some days we went to the beach to hide our tears. We were both heartsick over someone we could not be with, which made us best friends in misery. When I bobbed up and down to watch people, Brian was breaking splits in the rip curls and his face shimmered in the faces of breakers. His long feet slapped the water and he turned like the tail of a large dolphin, a big shape moving deep beneath me. I turned to backstroke my way to the shore, my eyes burning in tears and salt and sun.

We had ice-cream cones like children did.

At night we went to jazz gigs, sat around the back alley outside the bar, chatted with gay men. Or we sat outside the sidewalk cafe where we first met and talked like broken records.

It'll pass, we would say to each other. One day it won't matter anymore. But it did and it still does, every time.

***

This year Brian had to settle some banking business in HK once his schedule opened up. He had sent me an anti-evil eye bracelet which he ordered from Greece--there was a jealous, back-stabbing bitch in my workplace and Brian has an imagination--for my birthday before that phone call. He knew I was having a bit of a rough time, so he figured he would come by to see me. We ended up at the balcony of a British bar/restaurant.

I leaned back in the chair and covered half of my face with my hair.

'Don't be so hard on yourself. You don't know what people think and feel after a while.'

'That's you and me, Brian. We leave things behind. Most people hold grudges.'

'That's true...but that's because we fuck off a lot.'

'Do we have a choice if someone doesn't like us enough to begin with?'

'I guess we don't.'

***

On his last night in town I saw Brian to the train station. For a moment I hesitated to hug him goodbye. Brian knows this one thing about me: whenever I have gone through an emotional time with someone I like, be it a friend or a lover, I look at them in my mind as if I would never see them again. I would kiss or hold them for a moment too long because I am fighting the urge to cry. Then I flip the switch, let go and send them off while I am still in that zone where losing them forever is a reality I could deal with. With people who know me well, I look at them and wait. With Brian it was a bit of a problem: he is just like me when it comes to saying goodbye.

'I wrote a flash story for you after you called.'

'I'll read it when I'm back in Shanghai...Let's hope we can catch up again this year.'

We hugged and we were children all over again.

Saturday, April 23, 2011

The Agonies of Stories & My Magical Flower

I have two flash pieces: 'Inscription' up at Referential Magazine and 'To the Trees' at 52/250 A Year of Flash. Both stories were written when I was wasting away over things that I should not be. 'Inscription', in particular, was a bit of a desperate attempt to distract myself by creating a world that was anything but what I was feeling. 'To the Trees' was somewhat more related to my real life--I did take that walk amid old men practicing tai chi with wooden swords in the park, at the break of dawn.

Last summer I picked up The Story of the Eye by Georges Bataille when I was looking for something to take me out of my shell. I read the novella once--a pdf copy sent to me by a friend--in my university days and remembered it as a fascinating work of erotic literature. It was not until I re-read it, with the physical book in my hands, that I realized what I had been missing. It was the postscript where Bataille reveals how parts of the story and the characters were based on some rather horrifying moments in his youth. It was a fantastic rendition of grief, of things he could have been capable of doing but did not do. 

That moment changed everything for me. Up until last year, I had been struggling to write the kind of realistic short fiction that I was once good at in my early days as a writer. Year after year I had failures  written all over the computer screen and I could not see that realm my sensibility had drifted to. Bataille set me free. Since then most of my stories have been about what I or someone else could have done in a different space, and many of them lean towards the fantastic. Now I am calm and focused, even happy.

***

My 'escapist' tendency creeps into my everyday life a lot. Today a tango friend came over with this rare flower I'd been looking for--Borage--plus a couple other goodies she wanted me to have. A dancer, painter, photographer, pianist, weekend farmer and I don't know what else, my friend got these precious flowers from a fellow farmer. Sadly for me, it is not easy to grow borage in a HK home or at this time of the year. For some reasons that I will not explain here, I would be very happy if I can get hold of borage year-round!




















Both my friend and I have to move soon. Being an artist with eclectic interests, she has collected too much of everything--paper, art supplies, toys, small gifts that were meant to give away to curious friends--over the years. This, coupled with her need for space, make her apartment hunt a difficult ordeal in this town. 

In my home there are only the essentials: books and a couple boxes of stuff on a bookshelf, clothes in a wardrobe, a nightstand by my four-poster bed, a desk and a piano. Even then there are things I need to throw out--like clothes, books, other odd items--that I have not looked at in too long. Things that I see some value in but do not want. The process of sorting out what stays and what goes to the recycle bin is pretty tedious. And I hate to admit things like: 'I once loved this author and now I dread reading her' or 'So-and-so who gave me this just means nothing to me. I want it gone!'

***

Whenever I get stuck in weighing the pros and cons, or simply the contradictions of something, I throw it away. If only you can honestly say, 'No, I really don't want it', things fall into places and you see you have not lost a goddamn thing. But we all like to cling onto things until we drown in misery, or drag random shit down the staircases of a walk-up building we have to leave. Panting, bumbling, wondering why you did not take throw it into the garbage when you still could. Now it is too late. 

My own apartment hunt will be a tough one. But I have decided that if I have to move into a smaller place and reorganize my life, everything except my piano can go. A stranger can take my bookshelf for a nominal amount of money. A mover can come in to dismantle my bed and desk, throw the bits and pieces onto the streets. The wardrobe can stay here since it was not mine to begin with. Only the piano would come with me. 

Monday, April 18, 2011

If You Think You're Lonely Now

Last night my old friend Clyde--who currently lives in Singapore--called to ask if I needed anything. He saw on my Facebook that I just went officially jobless, and the evil estate agent who's taking over all the old property in Hong Kong has bought the flat I'm living in, which means I have to move out. At 2am I was still awake, but already half-gone to some gloomy dreamscape. 

'No, at the moment I don't need anything.'

'Seriously, tell me.'

'No...no, Clyde...what I really want to say is that you're my guy.'

'I'll come back in May when you move.'

'You suck at moving things.'

'I can drive and play music.'

'That's true...and that's more than what I'd ask for.'

'Huh. Get rid of those fuckheads.'

'I'm just trying not to be so black and white about things.'

'When did you start saying this sort of bullshit?'

Having known me for 15 years Clyde knew exactly what I meant. That in my life there are often people who milk me for understanding and affection, make little effort for or with me, then get agitated or even accuse me when I start to pull away. For the most part I have no problem with people acting this way--they give what they give, nobody is obliged to like me. But it's not reason enough for me to stay quiet, or even respond to people's excuses with compassion until it runs dry. There is always room for others' struggles or things out of my control. Then it's all a massive black-out: I have no words, not an inch of feeling left.

Clyde put his phone on the table and played guitar, as he often does when we talk over the distance. It's one of the things we've always shared, besides all the things that we don't share as best friends. 

Sunday, April 17, 2011

Eleven Magazine & After Pausal at 52/250 A Year of Flash

Dear fellow writers, artists and friends: I have been signed on as one of the writers for Eleven, a free digital literary magazine of words and photography, which is to be launched in June if there is enough funding. Please check it out here and spread the word. We would be so happy if you help us out!

I have a new flash piece, 'After Pausal', up at 52/250 A Year of Flash. It was written for Todd Tam, who posts awesome music on his Facebook late at night. I've written maybe 4 flash pieces to those soundscapes so far--they're even the better ones I've written recently--so here's to our love of music and solitary nights. 

Friday, April 15, 2011

Who is Dolly?!

I have strange dreams in which people reach me. People I have not seen or heard from or even thought of in years, they come driving into my neighborhood or plodding along the street to wait for me to catch them. Within a week they call or write me in life. Other times I dream of friends I have not talked to in a while, and they look anguished over a loss or a failure. This kind of dream is unsettling because the reality is often the same: they have lost their jobs, or injured a leg, or been wasting away over a problem. 

My favorite kind of 'contact' dreams is when someone talks to me about a particular situation. Like when my tango friends asked me what I was doing the next day, if I could do something at a certain place and time, because so-and-so needed help. One minute after I woke up, my tango teacher called and made that exact request. I do not know how this happens, but it feels fun, like I pick up waves of information floating in the air when I shut down. People call this telepathy--which I believed in, though some people do not.

Another kind of dream that I like is when I see someone I have yet to meet. In some cases it would be a netfriend, and I see a side to this person that is very different from how they present themselves over the distance. A cheery young man who jokes a lot online would turn up in my town, half-shivering in anger while still trying to pull a straight face, and he would ask me to tag along to a place when I am getting alarmed about who he really is. When we do meet, it would indeed turn out to be a bit of an ugly story.

The past week I have been looking for a girl named Dolly in my dreams. In a couple of them I wandered in strange places with this name on my mind, though I clearly did not know her and had no idea how I could find her. The other night a young man I may or may not know in life came towards me and I asked, 'Are you still in love with Dolly?'. He nodded, with a tint of gloom and doom. Just now I napped at noon--I woke up at 5am and my work starts late today--and I distinctively felt this presence before me, and it was Dolly or something related to her.

Who is Dolly?! I must have gone psychotic or there is a Dolly in my sphere. But I am sure I would not find the answer--when something looms that large, there are too many questions and secrets to unravel, you must quit asking or you drain yourself. Maybe Dolly will just live in that indefinite space, into the future. 

Saturday, April 9, 2011

The Right Time

I have a new flash story up at 52/250 A Year of Flash here.

There is never the right time for anything.

Wednesday, April 6, 2011

I Need Some Weed

Yesterday I posted on my Facebook status: 'I'm pretty sure what I need right now is to smoke some weed.' Believe me, if I had any in my flat last night--or even tonight--I'd smoke until I drop and that's probably one thing that would make me happy. And I can't tell you how much I mean it! 

I don't drink or do any drugs, not even weed except on rather rare occasions, because I always like to have a clear mind. But sometimes you just need to get high. Recently I tried to find out the truth of something I've been doing--I asked, but the answers are taking a long while to arrive. If I have to wait any longer I'd just have to, seriously, hit the black market in this shady building in Hong Kong that is the melting pot for ethic minorities. To walk down the dirty alleys with an eerie, green translucent glow and brush past dealers of fake watches, DVDs, spices, herbs, old magazines and sex toys until I see someone, a dark-skinned man whose smile seems slightly less ominous than the rest. So that I can mumble to his questions, thrust some money into his hand and fucking buy some weed!

The worst that could happen isn't to lose your mind or to find out truth that you don't want to hear. It's to get answers that don't change the course of what you do. To realize the best you can do is to be. That you must watch the moments evolve and flow and there's nothing you should do against it. Not even running away.

Tuesday, April 5, 2011

I Have No Patience

The only thing I'm patient about in life is writing--that is a given. There're times when I show exemplary patience in other situations, but those are chances more than faith. Sometimes I think that's my excuse for not living a real life like other people do. I walk away from things a lot, when others prevail and sort things out. Well, what can one do about it?

I have a guest post up at Michael J Solender's blog not from here, are you? The little flash piece or sketch was written for my girl friend Polly Ho, after a photo album she posted on her Facebook. 

On my desk: Mosquito, a collection of poems by Alex Lemon. I'd recommend this book.

Mosquito

You want evidence of the street
fight? A gutter-grate bruise & concrete scabs--
here are nails on the tongue,
a mosaic of glass shards on my lips.

I am midnight banging against house
fire. A naked woman shaking
with the sweat of need.

An ocean of burning diamonds
beneath my roadkill, my hitchhiker
belly fills sweet. I am neon blind & kiss
too black. Dangle stars--

let me sleep hoarse-throated in the desert
under a blanket sewn from spiders.
Let me be delicate & invisible.

Kick my ribs, tug my hair.
Scream you're gonna miss me
when I'm gone. Sing implosion
to this world where nothing is healed.

Slap me, I'll be any kind of sinner. 

Sunday, April 3, 2011

Thunderclap! Language > Place blog carnival & Negative Suck

I have a new flash story, 'Disintegration', published in the latest issue of Thunderclap! You could get your e-copy or print copy of the magazine via their web site. 'Disintegration' is one of my favorites among the flash stories I have written this year--I got the impetus from a photo of one of those blackbirds that plunged to their deaths in the States on New Year's Eve. As for the title--you know where it came from if you're a fan of The Cure.

Edition #5 of Language > Place blog carnival, hosted by Parmanu, has gone online! This edition comes in a beautiful format, a stellar collection of work and reflections of previous hosts. It's truly amazing how much thought and effort Parmanu put into building the carnival as a virtual museum, with fantastic artwork to each of the contributor's posts. As the host of edition #2, I'm thrilled to see the carnival evolving and floating around the world. My flash story 'Memories of Hamburg', first published in slingshot litareview last year, is included in this edition.

The April issue of Negative Suck is online too and this month's featured author is Amanda Deo. The May issue will be our special word prompt issue, so check out the guidelines and send us your stuff. Deadline is April 20.

On a personal note, I've been lost listening to too much post-rock music as I work on my flash fiction. Soon enough I'll write like a phantom haunting my own apartment. Somebody save me before I totally fall over to the dark side. Please.

Friday, April 1, 2011

Volatility

The past four days I worked on a video production at a local hospital. The video is about this state-of-the-art medical equipment that allows multi-disciplinary medical teams to operate on the patient at the same time. Instant conversion from minimally invasive surgery to conventional open surgery. No urgent patient transfer or assemblage of surgical teams required. A definite life-saver. For those of you who don't know me in real life, I write video scripts and do occasional project management for a video production house. Most of the jobs we get are plain commercial. Once in a while there're more 'meaningful' gigs for NGOs and the like. 

My role in this production is to conduct and process the interviews, sort out what footages we might need, oversee the shooting and that the editor puts the right footages into the right places. Which has been a tough task given the nature of the video and ridiculously tight time frame. In the office I went through the medical terms and the footages until I was half-blind from staring at the computer screen. At the hospital my cameraman and I had to orchestra the doctors who mumbled in front of the camera, or spoke to us in a dozen floating voices at the same time inside the operating theatre. (I can't post pictures here since the video hasn't gone public yet and those guys have the copyright to the visuals)

Yesterday (Thursday HK time) was the last day of shooting. By late afternoon I was brain dead from it all. As I walked down the stairs I caught glimpses of a woman crying outside an operating theatre--she had just started to break down, to bury half of her face in her hands before a young man went to her and put his arm around her shoulders. For a moment I wondered if I should walk straight through the door and go up to her so I could see her--What kind of person would she be? Who was she crying over? Then I remembered I'd never stood outside an operating theatre in such circumstances, and I had no time or the mental capacity to enter that territory. Better get back to my cameraman who had fallen asleep on the couch where we had been waiting for the next shoot to begin.

Several friends of mine have passed and I never had a chance to see them at that last moment. Two died in traffic accidents and their coffins were all that I saw. The others bid their farewell with notes or letters that reached me later on. The first one came with a pin that was a token of affection between my friend and me throughout our teens; it pierced and stained me for a few years. The rest was just, well, eternal repetitions. In life you go through the same hurt over and over. Each time it opens the world of hurt you have been nursing within, sharpens and then blurs your fear again while you plod along.  The raw nerve never heals. There is only the question of forgetting until you see you've never forgotten.

Amidst the hectic assignment, sleep-deprivation and hospital atmosphere, a relative gave me a call about my maternal grandfather who is in the hospital. Most of my friends know I have had no relationship with that side of my family for a very long time. The few times they have called me in the past years, it was always bad news and ambiguous requests, the kind that pushes you into a place where you're a heartless person no matter how you respond. For years I wanted to  see this grandfather again because we were once close, and he would be the last person in that family who had anything bad to say against me--he's always been a cheerful, easy-go-lucky kind of guy.

My phone battery was dying and I had to rush into the hybrid OR to shout at the doctors again, so I quit the conversation without giving a definite answer. Was I going to stop by to see him? Would I make any arrangements with anyone about this? The memory of my grandfather from my childhood, grey hair and thin cotton shirts, jolly gait and giggles over our secret excursion to the dessert place. Things change so quickly everyday; I am off to hell and back every waking minute of the day, thinking, dreaming and then agonizing over phantom questions that shouldn't even change the course of anything I do. I'm not the same person my grandfather or anyone else has always known; and then I am. 

There are always work, words and the days slipping through shadows. I need more time with my words.